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The death of a parent, in most memoirs, would be the book’s beating heart. Initially, this also appears true of Mill “Town, a recent hybrid memoir by Kerri Arsenault. In a beautifully touching moment near the end of her father’s prolonged fight against lung cancer, her mother guides him to the kitchen, her arms around his waist. He’s weak, on oxygen, and having trouble sleeping. His appetite has withered to almost nothing, and he’s suffering the indignity of a catheter. As they slowly make their way down the hallway, he turns to his wife. “Ain’t much of a life,” he says.”
by Cecily Berberat
For Mary South, nurturing is just another way for people to connect, an effort her characters rarely accomplish. These stories focus so intently on the space between people that one could forget anyone ever succeeds in uniting.
by Caroline Coleman
Shortly before I started reading my favorite novel of 2019, my beautiful 23 year old daughter stopped communicating with me. I didn’t know it then, but it would be almost a year before I saw her again.
by J.T. Price
To further the comparison between the two texts, certain thematic valences notwithstanding, Chapman’s debut is an all but negative image of Gessen’s sophomore effort—disjunctive where Gessen’s narrative is straight ahead; knowing and bawdy and essentially unconcerned with portraying human relationships at any great length, while that effort forms the pith of A Terrible Country; over-brimming with uprooted wit whereas Andryush walks, block by block, to discover where he might truly belong.