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All tagged Siena Oristaglio
by Siena Oristaglio
Two performers, Asun Noales and Sebastian Rowisnki,
stand in a circle of small jaguar heads.
The heads are sculpted from pearl-white plastic
by an artist named Susana Guerrero.
The heads are perfectly identical.
Their mouths stretch agape, as if caught mid-roar.
Beyond rows of jagged teeth,
each throat swells with inky black.
by Siena Oristaglio
As the only mammals that can fly, they are often
imagined as something not-quite-mammal,
a species dancing in the liminal space
between bird and rodent.
by Siena Oristalgio
As I watched small flitting creatures
appear again and again in the poems,
I was struck with a sudden desire to witness
some such small creatures in person.
by Siena Oristaglio
What are snakes afraid of?
by Siena Oristaglio
What is history to a sheep?
by Siena Oristaglio
I’m lying in bed listening to the sound of wasps gnawing at my windowsill.
It’s Saturday.
Sunlight sprawls sleepily across my pillow.
I blink into its glow.
I open an article from Harper’s on my phone.
by Siena Oristaglio
I’m sitting on a park bench surrounded by pigeons.
They teeter and flap about.
It’s raining but they don’t seem to mind.
They peck at the ground, scouring for crumbs.
Their heads scan the surroundings mechanically.
I shift on my bench.
A few turn towards me with an ominous agility.
One sinks its head into its thick neck plumage and gives me a suspicious look.
I stare back at it.
by Siena Oristaglio
I’m on a rooftop watching the sky.
It’s almost 7pm.
Wind rustles a book in my lap.
by Siena Oristaglio
The room is as dark as a crow.
A bright light appears, bathing a group of figures. They pose along a bench, their gazes fixed into empty space.
Strange sounds permeate the room — news clips, low voices, musical snippets, static — a radio on seek. The group remains still.
Far behind them, two figures emerge. One, legs spread, appears to give birth to the other.
by Siena Oristaglio
I recognize the bold colors and simple, graphic drawing style. A hot pink bonfire radiates from the base of what appears to be a vintage wooden paper cutter. The object hangs on the wall across the room from me, its broad handle jutting into the space.
We’re pleased to announce a new monthly feature showcasing four critically minded writers: Zack Graham, Tess Crain, Robb Todd, and Siena Oristaglio. The Epiphanic, so-called, will publish at least one piece each month about an artistic enthusiasm, whether literary, visual, or performative in nature… The intention here is to provide an extended space for critically minded writers to develop their perspectives. If literary culture is to survive well into this new century, the vital role of critics cannot be ignored. Algorithms do not speak with an individual voice; it is the individual voice, finally, or several in conversation, that consecrate literary endeavor. If the perception of value is left to the marketplace alone, well, then, it’s safe to say we all stand to miss a great deal.
