by Siena Oristaglio
As the only mammals that can fly, they are often
imagined as something not-quite-mammal,
a species dancing in the liminal space
between bird and rodent.
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All tagged The Epiphanic
by Siena Oristaglio
As the only mammals that can fly, they are often
imagined as something not-quite-mammal,
a species dancing in the liminal space
between bird and rodent.
by Tess Crain
Spanning 1929 to 1936, Walter Benjamin’s The Storyteller Essays, out this year from NYRB Classics, circles the question: Why is the art of storytelling dying out? The collection comprises thirteen pieces of diverse form and audience that nonetheless share a thematic lineage. Just as the salient features of grandparents (a curved nose, full lips) may suddenly manifest in the faces of a younger generation, here, concepts and even whole passages from an earlier meditation will resurface, slightly altered or not at all, a few essays later. At the end of the book, short writings by contemporaries (Bloch, Lukács) and inspirations (the playful Hebel, Herodotus) are appended. From an ardent cross-pollination of ideas, traits of these authors, too, crop up in Benjamin’s work.
by Robb Todd
Please take a moment to consider and appreciate how the Department of Motor Vehicles has influenced contemporary poetry.
by Zack Graham
You don’t read Ben Lerner’s writing. You read Ben Lerner’s mind. His immense, contorted, self-effacing, hilarious intellect propels his narratives. Sure, his novels have characters, plots, themes. But those elements aren’t why Lerner is one of America’s best young fiction writers. Lerner is brilliant, and his novels resemble doctored and polished transcripts of his mind’s inner workings.
by Siena Oristalgio
As I watched small flitting creatures
appear again and again in the poems,
I was struck with a sudden desire to witness
some such small creatures in person.
by Tess Crain
Certain writers assault you with their intelligence, not as, or only as, a performance, but rather out of necessity: they simply cannot stop thinking. Humor has long been the balm of metacognition, laughter a scaffolding over the abyss.
by Robb Todd
Flash fiction is not fiction as a white horse is not a horse.
Fiction, the god of the outermost circle, is so powerful that those who strictly write facts are defined in opposition to it: nonfiction.
Categorization is tyranny, even if it is useful to customers who might care to know what they are buying without having to think too much about it.
by Tess Crain
What is the meaning of an imaginary friend? Appearing mainly to children but at times lasting into adulthood, invented companions can signal madness, creativity, both, or neither. Sometimes, they simply serve as company. A writer I know used to have an unreal pal named Zee—“he had a kind of sarcastic jauntiness”—who resembled a wisp of smoke and wore a monocle, like an ephemeral Mr. Peanut: “he was my only real friend for a while.” My roommate had a tiny, bald, blue man who sat on her shoulder and scouted for danger. A college friend once had multiple miniature dragons. In most cases, these familiars erupt from the collision between psyche and environment: reading a fantasy series, watching performance art, loneliness.
by Robb Todd
Black Light is a rare book. Kimberly King Parsons has delivered a work of truth and beauty that will transcend generations. If that sounds too effusive, it is not. This is also the rare book that bears promotional blurbs indistinguishable from critical reviews…
by Zack Graham
You probably haven’t heard of Nick Antosca, but you will soon. He wrote on one of the most psychologically nuanced and visually arresting television series ever in “Hannibal.” In late 2017, Guillermo del Toro signed on to produce Antosca’s feature-length script Antlers. At 36, Antosca is well on his way to becoming a modern master of horror, on par with a Robert Eggers, an Ari Aster, or a Jordan Peele.
by Robb Todd
An anonymous person posted some writing on a website and asked: "First page of my book. What do you think?"
by Zack Graham
One of the most talented American novelists of his generation, Colson Whitehead’s nine books constitute about as diverse a body of work as any living writer’s. His settings include a post-apocalyptic zombie attack, an American slave plantation in the 1700s, the mid-’80s Hampton’s, and the modern World Poker Tour. He is the recipient of nearly every serious literary award and/or honor known to mankind, and his essays and stories have appeared in every leading English-language newspaper and magazine. The man is a national treasure.
by Robb Todd
There is trouble on the street tonight. Had a premonition that she should not go alone. She caught me stealing once when I was five. I enjoy stealing. It is as simple as that. It is just a simple fact. Because mutiny on the bounty is what we are all about. We are going to board your ship and turn it on out.
by Zack Graham
The author of over two dozen books of fiction, criticism, and work in translation, Brian Evenson is a master of many languages, tones, voices, and forms. His work renders the distinction between“literary” and “genre" fiction trivial.
by Siena Oristaglio
I’m lying in bed listening to the sound of wasps gnawing at my windowsill.
It’s Saturday.
Sunlight sprawls sleepily across my pillow.
I blink into its glow.
I open an article from Harper’s on my phone.
