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"Dez" by Thea Matthews

"Dez" by Thea Matthews

A selection from our Summer 2023 issue. On July 25th, Thea Matthews will be reading along with other contributors at the launch party for the issue. Visit our Eventbrite page for more information.


Your arms stretch in an old Niners jacket. 
Chin drops, pulse in stomach; with the Giants’ pride, 
heels of high tops, Doc Martins, you yearn to sleep, pawn
each exhale. Your tall legs ache. Stale air bruises arteries. 
Heavy eyelids chip paint. The bloodshot fold foil. 
Crusty veins pierce pavement. Lost leeches scramble 
for blood. A breeze of needles caresses your skin, 
combs your hair. The anorexic with a silver wig lied––
Everyone doesn’t get their fifteen minutes of fame, 
of glory, of the neon lit parade down Central, where street 
rats wave hello, and empty cigarette boxes hold funerals.  
There is a Do Not Resuscitate label on your forearm. 
Oily fingers, the grease and grime of summer, 
you’re down to four Marlboro cigarettes a day. 
When I visit you, we’re both wearing black. 
The Beatles’ White album is playing; 
John Lennon is singing I’m So Tired
I know you’re tired. As you burn in this Brooklyn kitchen,
the murderer is so seductive, deceptively dainty. 
The warmth liquifies the streets on silver spoons. 
Gentrified apartment complexes 
dissolve, 
disintegrate,   
crumble into dust,
everything turns black. 
And you’re right back in the nest––   
the requiem to rest in, the darkness    
one calls home in, the faces 
conjured, the silence of ears ringing. 
The last time, 
my friend, you knew


Thea Matthews is a poet, author, and educator born and raised on the land of the Ohlone, San Francisco, California. She holds an MFA in poetry from New York University. Her poetry has appeared in The Courtland Review, West Trade Review, Southern Indiana Review, Interim, Tahoma Literary Review, The New Republic, and others. She has been nominated for Best New Poets 2022 and Best of the Net 2021 for her work; and is the author of Unearth [The Flowers] (Red Light Lit Press, 2020), which was listed under Kirkus Reviews’ Best Indie Poetry of 2020.

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