All tagged The New Yorker

Future Fictions

by Michael Barron

Fiction has always been a laboratory to study the human condition but with the advancements of technology and science becoming more commonplace, fiction has become a simulation runner to experiment on the plausible consequences of these achievements.

Nothing More French

by Gracie Bialecki

The more the French view me as part of their country, the more I see myself as belonging here with them. With my blonde hair and daily scarves, I look the part. It’s easier to accept superficial validation such as compliments on my accent and cultural ease from the French than it is to reconcile my fading American patriotism.

Where All the Missing Items Are Mended: On THE PREPOSTEROUS WEEK

by Robb Todd

"I loved that, no matter where the characters went underground, they came out into the same space," said Mack, who might be best known for his two-decade run in the Village Voice with the comic strip “Stan Mack’s Real Life Funnies." "I could see a double-paged spread showing a huge old fashioned attic — full of the different entry points. To me, the story said, whatever you think you know about the rules of life, forget it, ain’t necessarily true."  

A Technical Masterwork: On Ben Lerner's THE TOPEKA SCHOOL

by Zack Graham

You don’t read Ben Lerner’s writing. You read Ben Lerner’s mind. His immense, contorted, self-effacing, hilarious intellect propels his narratives. Sure, his novels have characters, plots, themes. But those elements aren’t why Lerner is one of America’s best young fiction writers. Lerner is brilliant, and his novels resemble doctored and polished transcripts of his mind’s inner workings.

Two Novels, Fat and Thin: Keith Gessen’s A TERRIBLE COUNTRY and Ryan Chapman’s RIOTS I HAVE KNOWN

by J.T. Price

To further the comparison between the two texts, certain thematic valences notwithstanding, Chapman’s debut is an all but negative image of Gessen’s sophomore effort—disjunctive where Gessen’s narrative is straight ahead; knowing and bawdy and essentially unconcerned with portraying human relationships at any great length, while that effort forms the pith of A Terrible Country; over-brimming with uprooted wit whereas Andryush walks, block by block, to discover where he might truly belong.

Smile, America

by Tess Crain

America prizes smiling. Companies in client-facing industries have been known to circulate “service with a smile” policies, which require workers to feign happiness, if necessary, to please customers. “Hey Philly, got a smile only a brother can love?” “Give Us Your Crooked, Crowded, and Snaggled Teeth.” “Come in for a lifetime supply of confidence.” So asks, begs, and pledges SmileDirectClub, one of several fix-your-face startups with pandemic advertising. I understand. I got braces freshman year of high school and did not smile with my mouth open for two years.